A GUIDE TO CITIZEN SCIENTIST INDUCTION PROCEDURES and INSTRUCTIONS FOR THE USE OF NISG DETECTION EQUIPMENT (THE EAR TRUMPET):

BY:  ROGER MILLINGTON

PREAMBLE

Sonic Geology is an emerging science. Despite the importance of our work to humankind’s understanding of the Natural World, we still face unjustified scepticism and even physical threats in some quarters, from rival organisations and those who find our approach too challenging to their established world view.
This has led to severe funding limitations for our work, and the need for us to recruit Citizen Scientists of all ages and backgrounds in order to investigate sonic phenomena as and when they appear.
The following is intended as a guide for the recruitment of Citizen Scientists at the Sounding Space.

INDUCTION PROCEDURES:
When recruiting Citizen Scientists, the following Induction is suggested:

1.  Approach the potential Citizen Scientist with a warm smile.

2.  Introduce yourself.

3.  Ensure that you use the correct NISG accreditation: Roger Millington, NISG, pleased to meet you!

4.  Explain acronym where necessary and our motto: Audiendo Ad Terram: Listening to the Earth.

5.  A handshake may be proffered where appropriate, and should be firm and authoritative (NB avoid any excessive gripping, particularly of the frail or elderly).

6.  Initiate research discussion: Have you heard about the sonic experiment we are conducting here today?

7.  Explain Research Context for the Sounding Space

8.   Add folkloric elements where necessary to secure successful recruitment, but always stress the serious scientific nature of our enquiry:

We are Scientists, we have no truck with mythology; we are interested in cold, hard facts. However, it does appear that there may be some grain of truth in these old stories and tall tales.
As our research has progressed we have discovered that indeed it may be the case that over time, sometimes hundreds or even thousands of years, sound can become trapped in the folds of the earth, seeded, percolated and imprinted in the rocks beneath our feet.
Often, some Earth Trauma, mining perhaps, an earthquake or excess of Geomantic Earth Energy, seems to release these sounds, allowing us to detect them, catalogue them and analyse them. Just a few days ago we received a call saying just such a phenomenon was occurring here. And our primary method of detection and recording is the Ear Trumpet.
We are a small but dedicated band of researchers, and we have only limited funding, so if you would like to join us as Citizen Scientists we would be very grateful for your help.

9.  Demonstrate Ear Trumpet technology:

It is really very simple. Sweep, Plant and Linger! Hold the earpiece to your ear and Sweep the ground in the manner of a metal detector. If you happen to detect a sonic phenomenon, simply Plant the trumpet on the earth and Linger while you listen. My colleagues will be happy to help you record your findings.
We have discovered that each individual researcher seems drawn to a particular Trumpet that suits them. If you will permit me, I would like to show you some of this cutting edge technology and then you can make your choice:

  10.    Ear Trumpet Selectiononly available on site, assisted by Roger Millington




Sonic Investigator Hildegard Brunel demonstrating 'Ear Trumpet' technology


Sounding Space Trinity Gardens, Stockton-on-Tees #029

SOUNDING SPACE #029

Trinity Gardens, Stockton-on-Tees


 

 

Field Notes compiled by Beatrice ‘Flippers’ Lathenby, BSc

Ed. Dr Stella Barrows


INTRODUCTION and HISTORIAL OVERVIEW

 

Stockton-on-Tees began as an Anglo-Saxon settlement on high ground close to the northern bank of the River Tees. 


The local area (within a 5-mile radius) encompasses numerous archaeological sites with remains dating from the prehistoric and Roman periods through to significant activity in the Anglo-Saxon and medieval periods, to post-medieval and industrial remains.

Stockton-on-Tees owes its origins to the River Tees, a feature of great economic importance to the town’s development. NISG field experiments undertaken in Yorkshire, have lifted the lid on the role of water as a stimulus and primary engine of sonic eruption.1 It is exciting to see that this is repeated across the region – if not the country. 

 

The Stockton-on-Tees area has been a site of significant settlement for millennia. In 1982 an Anglo-Saxon burial was uncovered by children in Norton who were playing on a swing. The ground beneath their feet was worn away to reveal a skeleton, a Saxon grave of a female aged around 30 years old from over 1000 years ago, with the grave goods dating from the 5th and 6th century AD. An archaeological investigation led to the unearthing of a large Saxon cemetery on the site which contained 120 graves. 

 

Just four miles South of the Trinity Gardens lies Quarry Farm at Ingleby Barwick, this site being the most northerly known Roman villa surviving in the Roman Empire. This points to signs that there was significant Roman occupation of the area. NOTE: Subterranean sonic phenomena have been detected in this area by NISG members, which might offer a rational scientific explanation for longstanding local folkloric reports of music from below ground, the sounds of swords, marching and horses.

 

Stockton was established circa 1138, and was purchased by Bishop Pudsey of Durham in 1189. The bishop had a residence in Stockton Castle, a fortified manor house. Stockton's weekly market traces its history to the early 14th century and still runs to this day. Bishop Bek of Durham granted the market charter for Wednesdays ‘for ever’. The town grew into a small but busy port, exporting wool and importing wine. Medieval Stockton-on-Tees was a small, modest-sized town, with a population of only approximately 1,000 for centuries.

 

[NOTE: Emanations in the environs of the Tees Barrage, an area which before recent developments was said to be a barren post-industrial wasteland (the site of Margaret Thatcher’s famous ‘walk in the wilderness’) have produced rich conversational, melodic, ambient and proto-historic sonic phenomena through the underground strata. The NISG were initially called to the Barrage to investigate reports by numerous dog walkers of sonic emanations BUT on arrival in Stockton-on-Tees an even more exciting site of emanation became apparent, and we were quickly redeployed by no less than the officials of the town council. The Trinity site offers the NISG an opportunity to record and analyse modern human interaction with the urban park landscape in an unparalleled manner to previous investigations. – SB]

 


 

TRINITY GARDENS and the HOLY TRINITY CHURCH

The area around the Holy Trinity Church was not only once a cemetery but also a cholera pit (from outbreaks in 1832 and 1849). In 1976 600 bodies were exhumed from the area.

The church was finished in 1838 built in the gothic style of the time and erected because of the growing population of the town. We presume, that as an Anglican Church there would have been the presence of bells in the building to call the congregation to worship and we have found that several of the sonic ‘hot spots’ emanate bell-like sounds. We have also identified the sound of an organ. 

The church, when erected had a 200-foot spire, which despite being dismantled in 1957– but, a theory (first posited at Salisbury Cathedral by Roger Millington) was that this could this be acting as some sort of giant focusing antenna that channels electromagnetic frequencies into the ground, releasing dormant resonances in the manner of a lightning conductor? Even though the spire is long gone, this residual sonic energy may remain.

The church fell into disuse during the 1970s, in 1980s it was rented by the Greek Orthodox church who left in 1989. A fire left the building a shell in 1991. Significant efforts to stabilise the structure took place in the late 2000s and now the space is structurally secure and used for gatherings and arts festivals.

 

CONFLICT and BATTLE

Stockton was an important stronghold during the English Civil War. Stockton Castle supported the King against the parliamentarians, and in 1640 an agreement was signed making the River Tees a boundary between the forces of Scotland (who helped the Parliamentarians) and the King so it would stay in royal hands. Because of this conflict, numerous battles occurred in the area. The castle was captured by the Scottish in 1644, and they held it until 1646.

 

The castle was destroyed at the end of the Civil War on the orders of Oliver Cromwell. Only the castle barn was left standing, but some said it was already in ruins by the time Cromwell would have demolished it. A shopping centre, the Castlegate Centre, now occupies the castle area, although it is scheduled for demolition in 2022. Some locals believe the site to be ‘cursed’. [BEATRICE This is unscientific, and scurrilous rumourmongering which unless you have evidence for - and note my impatience with notions of ‘geomancy’ - please strike from the report. SB).


THE RAILWAY 

In 1822, Stockton witnessed an event which changed the face of the world forever, and which heralded the dawn of a new era in trade, industry and travel. The first rail for George Stephenson’s Stockton and Darlington Railway was laid near St. John's crossing on Bridge Road. Hauled by Locomotion No. 1 (originally called ‘Active), the great engineer himself manned the engine on its first journey on 27 September 1825. This was the world's first passenger railway, connecting Stockton with Shildon. The opening of the railway greatly boosted Stockton's economy, making it easier to bring coal to the factories; however, the port declined as business moved downstream to the much younger upstart town of Middlesborough.

 

The Stockton and Darlington Railway also ferried coal and other industrial goods and on inspection of the sounding space this locomotive sound of steam engines has clearly imprinted into Sounding Space #029.  

 

INDUSTRY

From the end of the 18th century, the Industrial Revolution transformed Stockton from a small and quiet market town into a flourishing centre of heavy industry. 

 

The wider Borough, part of County Durham, has a history of mineral extraction, brick and tile production, iron and steel manufacturing, shipbuilding, engineering works and more recent chemical works, such as the new Town of Billingham (founded in the early 1920s by ICI) and the oil and chemical industry based at Seal Sands.

The River Tees has been used for transporting industrial goods since the Industrial Revolution, particularly for the shipment of coal from the Durham Coalfields and for steel industries. In the early years merchant ships left the River Tees after loading in Yarm and Stockton-on-Tees but as merchant ships became bigger, these smaller docks were superseded by bigger and deeper docks in Middlesbrough, and later even further downstream at Teesport close to the mouth of the River Tees. The emergence of the Steel industry in the late 19th century earned it the nickname "The Steel River" owing to the many steelworks that operated along the banks of the Tees. 

 

GEOLOGY

 

The geology of the area shows predominantly Sherwood Sandstone (in the central area, which is an aquifer), Mercia Mudstone (to the east, which is a non-aquifer) and Permian Upper Marls (to the west, which is a non-aquifer).  A dolerite dyke, known as the Cleveland Dyke, runs approximately NW to SE. The solid geology is overlaid with drift deposits of boulder clay, laminated clay, littoral sand and glacial sand and gravel.

When iron ore was discovered in the Easton Hills, Iron and steel works sprang up with blast furnaces, foundries and rolling mills constructed rapidly on the shores of the river from Stockton to the River’s Mouth. 

Geological connectivity along the Tees suggests that we might expect to detect Reflection Phenomena, as geological sound ‘flows’ along the riverbed via underwater Transmission Layers. Atmospheric imprinting within the surface geology of the area is expected to be a significant influence on the background sound profile in the Sounding Space.

 

NOTE: there is fascinating research into post-glacial river morphology being undertaken by Dr Wolfgang Lovejoy into this field in his popular science book: Meander With Me Awhile! Adventures in Alluvium.

 

WHAT CAUSED THE ERUPTION EVENT?  

Stockton lies on the north bank of the River Tees. The town's northern and western extremities are on slightly higher ground than the town centre, which is directly on the Tees. Stockton experiences occasional earth tremors. For example, it was the epicentre of a tremor measuring 2.8 on the Richter Scale on 23 January 2020. In some areas, the sonic vibrations were so severe that “items on the windowsill rattled and made very loud noises” and people were woken from sleep. 

 

The NISG team hypothesise that an otherwise undetected seismic event, (perhaps triggered by significant continuous external sonic emanation such as drilling or music?) in the main centre of the town (or other place on the River) may have a direct causal link to this eruption event.

 

THE TEES BARRAGE & THE IMPORTANCE OF THE RIVER IN THIS SOUNDING SPACE

 

The River Tees was tidal for 13.5 miles before the Barrage was built between Middlesbrough and Stockton. For many years the water from the river was polluted from chemical, industrial and domestic waste. The construction of the Tees barrage protects the river from flooding, pollution and the effects of tidal change. 

 

We hypothesize that the nature of the Barrage, the river, numerous bridges and the anthropogenic sounds (such as amplified music, cheering, clapping) along the river at various local sites may be due to a ‘sonic funnel’ effect that collects local proto-historic phenomena, amplifies them and makes for some fascinating listening, although one should always be careful of potential surge conditions that might lead to harmful, or indeed embarrassing ossicular responses. [Excellent note here Beatrice! Safety first in all things and well done for not mentioning that occasion with Roger Millington and the trousers. SB].


 

 

[1] (See: Lathenby, B (2016) Getting Wet for Sonic Geology – Sub Aqua Investigations at Spurn Head Spit, Journal of Aural Investigation, 6:2, pp135-212)

SOUNDING SPACE Charterhouse, Coventry #028

The NISG Field Team at Charterhouse, Coventry


Field Notes compiled by Hildegard Brunel

Ed. Dr Stella Barrows

 

INTRODUCTION and OVERVIEW

The Charterhouse (also known as the Charterhouse Priory, or Coventry Charterhouse) Sounding Space lies near to the River Sherbourne that runs underneath the centre of the city.

It is one of only nine Carthusian monasteries in the country, and was founded in 1381. After the Dissolution of the Monasteries (1536-1541), the site was converted to a private house and latterly it was gifted to the people of Coventry by Colonel Wyley, the last private owner in 1941 as a centre for arts, culture and for the benefit of the people of Coventry. It is a beautiful site on grassed area next to a river.

There is an abundance of musical, industrial and conversational sonic ‘hot spots’ found on this site, such as the ‘singing’ of the ancient riverbed, possible horticultural exploits, ‘sonic sermons’ recorded from the nearby priory, singing of monks, repeated campanological bell patterns and the geological historical echoes of ancient battles.

 

MONASTERY

A few fragments remain of the Charterhouse Monastery which mostly date from the 15th century and consisting of a sandstone building that was probably the prior's house. Inside are medieval wall paintings of extraordinarily high quality.

 

The focus of Carthusian life is contemplation. To this end there was an emphasis on solitude and silence. Unless required by other duties, the Carthusian hermit, or choir monk would leave his cell daily only for three prayer services in the monastery chapel, including Mass, and to sing prayers, chants or hymns.

 

The Carthusian order was a silent order, although it seems that mass and song (as prayer) were allowed. The NISG believe that we have detected singing under the grounds and register it as Latin mass.

 

In its final form, in about 1500, the church at Coventry Charterhouse was a long thin rectangle, oriented east-west with a central bell tower and a large chapel on the North side. It’s possible that the bells the team of the NISG have been tracking with our audio technology (Ear Trumpets) are the sounds of these 16th Century bells. They could also be the bells from medieval St Anne’s Chapel (now ruined) just over the river which was leased to the Charterhouse, but which was confiscated and sold by the crown in 1546. An alternate theory is that they are bells of the much later Victorian Anglican Chapel of the famous London Road Cemetery (although we have yet to discern if there was ever a bell in the tower there), or even All Saints St Annes. [N.B. BEATRICE PLEASE CHECK THIS FACT, IF INDEED THERE ARE BELLS IN THESE LOCAL CHURCHES AND AUDIO RECORD FOR COMPARISON WHEN POSSIBLE S.B.]

 

Carthusian monasteries are distinctive because the monks lived in individual ‘cells’ comprising a two-story house set in a walled garden, all laid out round a cloister. Remains of these, and of the church, have been discovered through archaeological excavation at Charterhouse. When Henry VIII ordered The Dissolution of Monasteries in 1539, the church and many of the other buildings were demolished, but the Prior’s House and precinct walls were preserved and became a private house. 

 

Sadly, at the time of the dissolution of the Monasteries the Chapel and other religious buildings were destroyed and used as building materials, but this disruption and violence to the earth could account of the significance of this site and the sheer abundance of sonic hot spots vis-a-vis the new theory of ‘stone tape’ imprinting (hauntological/ghost response) which is still very much at the fringes of sonic geology.

[HILDEGARD I RELISE YOU ARE HYPOTHESIZING BUT WE NEED TO DISCUSS THE INCLUSION OF THIS IN THE PUBLISHED NOTES – IS THIS USEFUL CONJECTURE WITH REGARD TO THE SUPERNATURAL? – S.B.)


PRIVATE OWNERSHIP

In the 1560’s Charterhouse was owned by Robert Dudley, Earl of Leicester who may have used it to house some of Elizabeth I’s retinue when she visited nearby Kenilworth Castle.

In the 18th century horticulturist John Whittingham and his family rented the building and created a substantial nursery within the walled gardens. The archives in Coventry hold his original journal and from this fascinating source we know he was very successful, selling highly prized and exotic citrus trees to Warwick Castle and other local country houses.

Colonel William Wyley was the last owner of the house. He was an industrialist in the pharmaceutical trade and an influential man in the city. Col. Wyley bequeathed the house to the people of the city after his death in 1940. The Charterhouse was then used for a number of purposes by Coventry City Council, including that of a college, until 2010 when it was decided to sell on the open market. After significant protestations by the local community, Charterhouse Coventry Preservation Trust was formed and Charterhouse ownership was transferred to it in November 2011. In 2015, The Charterhouse Coventry Preservation Trust became the Historic Coventry Trust.

A contemporary view of #SS028

 

RIVER SHERBOURNE and LOST VILLAGE

Most of the Coventry area lies within the River Avon catchment. The other main rivers are the Sowe, the Sherbourne and the Blythe, while in the northeast, drainage is into the River Anker system. The River Sherbourne, canalised here, runs through the site, with the Charterhouse to the east.  The river has created a shallow valley, running north to south. Alluvial landscapes are rich for the formation of sonic emissions and a short way up the river is the site of Blue Coats School, a specialist music college which might explain some of the richness of the music on this site.

The lost village of Bisseley (later Shortley) lay somewhere not far from where we site our field tent. In the 12th C. Bissley Mill was located about 100 yards upstream of the Sherbourne Bridge. Later known as the Charterhouse Mill it was only demolished in the 1930s. Part of the village may lie under the Charterhouse and its grounds. The NISG posit that there may well be sounds of this medieval settlement emanating from underneath the ground.

 


GEOLOGY

Broadly speaking, the bedrock lithologies in this area of Central Coventry are dominated by red-brown sandstones and mudstones (or clay), with most Carboniferous, Permian and Triassic formations consisting of interbedded sequences of these two lithologies. Geological reports suggest that the prevalent rock is the red-brown Carbonifereous Coventry Sandstone.

The geological sequence of solid rock formations known in the area range in age from Cambrian to Jurassic, while the superficial (drift) deposits are of Quaternary age. The whole area was glaciated in Quaternary times, and there are extensive outcrops of glacial drift. Post-glacial river terrace deposits and alluvium occur along the main river valleys which is possibly why we’re detecting some similar emanations to those in other parts of the United Kingdom (although every Sounding Space is distinct and different).

‘Sandstone’ lithologies vary widely from very strong, massive and cemented, to weakly-cemented, friable and flaggy, and may include several bands of conglomerate and breccia. Strong sandstones are those found within the Arden Sandstone, Keele Formation, Coventry Sandstone and other formations are frequently cemented by iron oxides, which breaks down on weathering (as is evidenced in the brickwork of the surrounding walls of the Monk’s Pond). The massive sandstones, in particular those found in the Coventry Sandstone, are often separated into large, discrete blocks by near vertical joints. These clay-filled joints might be an important feature when considering sonic permeability – is Coventry Sandstone particularly good for sonic porosity or is it such a rich sounding space because of the historic nature of this site? Or are they two part of a symbiotic feedback loop? [EXCELLENT WORK HERE HILDEGARD S.B.]


 

WHAT INCITED THIS ERUPTION EVENT? 

Charterhouse will be opening once again to the public later in 2022.

The NISG team hypothesise that recent archaeological work and building construction on the Charterhouse undertaken in the environs of this sounding space have stimulated the conversational, melodic, ambient and proto-historic sonic phenomena through its (careful) disturbance of the underground strata. This proliferation of sonic ‘hot spots’ demonstrates that the Coventry CHARTERHOUSE is one in series of a deeply significant Heritage sites in the Coventry area which is of NATIONAL IMPORTANCE.

OTHER NOTES: 

Blue Coat C of E School and Music College is situated very near to the site – could sounds emanating from the music practice rooms and have percolated into rock/alluvial drift and folding?

SOUNDING SPACE #027 MARBLE HILL HOUSE, TWICKENHAM


SOUNDING SPACE Marble Hill House #027
London
Notes compiled by Roger Millington and Dr. Stella Barrows



INTRODUCTION and OVERVIEW
The Marble Hill House Sounding Space lies near to the great tidal River, the Thames. Occupation and activity in the immediate area of Twickenham can be traced back thousands of years, from Early Neolithic (possibly Mesolithic) settlements, through to Bronze Age, Iron Age and Roman and Norman occupations. It seems the area was first mentioned as “Tuican hom” and “Tuiccanham” (in writing at least) in the 8thCentury. Previous to the building and landscaping of the 18th century, the site was farmed for several hundred years and the banks of the river being used for fishing and trade. 
The NISG team posit that recent archaeological work undertaken by English Heritage in the environs of this park have stimulated conversational, melodic, ambient and proto-historic sonic phenomena through its (careful) disturbance of the underground strata. This proliferation of sonic ‘hot spots’ demonstrates that Marble Hill House is clearly a deeply significant site. 

CONSTRUCTION
Marble Hill was named after a “shot” - a term for a parcel of land and not the geological content of the bedrock beneath! The estate was built on land acquired for Henrietta Howard (1689-1767) who became the Countess of Suffolk and was the mistress of George II for sixteen years. Henrietta became the darling of Georgian society and was courted by the greatest wits, poets and intellectuals of the age. 
Building started on Marble Hill House in 1724 and was completed in about 1729. The house, designed in the newly fashionable Palladian manner was built under the supervision of Roger Morris, the gardens laid out by Charles Bridgeman, aided by her great friend Alexander Pope. Henrietta established the house as the liveliest social centre outside of court and the circle of famous people became known as ‘The Twickenham Set’ – Pope wrote ‘There is a greater court now at Marble Hill than at Kensington’. 
Pope and his friends Jonathan Swift and John Gay showed an interest both in Mrs Howard (and her wine cellar), which, during the summer of 1727, it is said they emptied. Pope regarded Mrs Howard as that rare being, “a reasonable woman, handsome and witty, yet a friend”. 
After an abusive first marriage, Henrietta was happily married in later life to politician George Berkeley. In later years Horace Walpole became a close friend, enjoying the pleasures of gossip over strawberries and cream. However, lest we only write about this woman in terms of her relationship to ‘great men’, Henrietta Howard was an extraordinary witty, accomplished and resilient woman in her own right and an advocate for women.

GARDENS
Marble Hill house was set in an ‘Arcadian’ landscape inspired by representations of ancient Greece and Rome. 
At least one grotto was constructed in the grounds and one still survives. A nine-pin bowling alley which was built over 250 years ago was discovered by more ‘traditional’ archaeologists than our affiliate organisation The National Institute for Sonic Archaeology (NISA) in 2017.
NOTE: Jonathan Swift thought that Henrietta’s gardener, Moody, passed too much time spending his wages drinking in the Dog and Partridge.

GEOLOGY
Alluvial landscapes are rich for the formation of sonic emissions.
The London Basin was formed during the Paleogene period from sedimentary rocks which were deposited when the land was submerged under the sea. Chalk was laid down first followed by sand, gravel, silts and clay. The gravelly and sandy soils found here are free draining overlying acid rocks, and is a common feature of many parts of London, and so becomes an integral part of lowland heath landscapes, commons and parklands.This soil type is well-known for it’s sonic porosity.
The flow of the River Thames dropped Kesgrave Sands and Gravels along its massive ancient river bed, and has transported puddingstones and sarsens, quartzes and gravels, all of which are well-known for their ability to trap sonic phenomena within their crystalline structures, a phenomenon explained by Dr Stella Barrows in her seminal paper Rocking Radiophony – Crystalline Induction in Sonic Geology.
One would assume that this were enough to explain the abundance of proto-historic musical, industrial and conversational sonic phenomena found in the Marble Hill House and surrounding Park area, such as the ‘singing’ of the ancient riverbed, the ‘sonic sermons’ recorded from beneath the nearby churches, the repeated campanological bell patterns, the geological historical echoes of ancient battles.
It is suggested that this geological fault-line, and the ‘London Basin’ acts to focus subterranean sonic phenomena in the manner of a ‘speaker cone’, allowing for detection of Deep Sound by means of NISG Ear Trumpet technology, and that this should be the focus of NISG investigations in the area.
It has been suggested that this may also have released detectable sonic phenomena, in the manner of repeated echo-type, induction, and auricular events.

SIGNIFICANT BUILDINGS IN THE VICINITY 
In 1713 the nave of the ancient and local St Marys Church collapsed and the church was rebuilt in the neo-classical style. The St Marys Church tower has a ring of eight bells, of which one dates from the early 16th century, three from the 17th and four from the 18th and they are likely to be some of the loudest sounds audible in this area of London during Henrietta Howards lifetime. 

EAR TRUMPETS
Unrelated to our listening activities, it is worthy of note that Henrietta Howard herself was a famous early adopter of Ear Trumpet technology, although this was due to her hearing loss than her commitment to sonic geology (though she was an extremely clever woman and who knows where her passions and curiosity would have taken her!). 
In a short and complementary poem about Henrietta’s positive attributes, Pope concludes with a rather mean stanza about Henrietta’s deafness:
'Has she no faults then (Envy says), Sir?'
Yes, she has one, I must aver:
When all the world conspires to praise her,
The woman's deaf, and does not hear.
However, Henrietta did ‘hear’ in many ways, was a keen observer of body language and was known as ‘The Swiss’ for her neutrality and the confidences she kept. In her later years she continued to be known for her great wit and good company.

SOUNDING SPACE #026 CHESTERS ROMAN FORT, NORTHUMBERLAND



Chollerford, Northumberland

Notes compiled by Percival Denny
Edited by Dr. Stella Barrows



INTRODUCTION and OVERVIEW
The visible remains of Chesters Roman Fort comprise a headquarters, the commanding officers house and the best-preserved military bath house in Britain.
The fort guarded Chesters Bridge, which carried the Roman Road behind the wall across the North Tyne River. Although the bridge is long gone, the massive abutments survive. ‘Cilurnum’ (as it was known by the Romans), was a cavalry fort for over 200 years. There was also a thriving civilian settlement outside the fort in the second and third centuries. The fort lay empty after the Romans departure from Britain in the early fifth century, but between 1843 and 1890 the antiquary John Clayton excavated many hundreds of items from the site and the surrounding area.

Because of its proximity to the river, sonic phenomena in the area are likely to have been generated by the movement of subterranean water and the sedimentation of sound within alluvial deposits.

NOTE: Subterranean sonic phenomena have been detected in this area by NISG members, which might offer a rational scientific explanation for longstanding local folkloric reports of music from below ground, the sounds of swords, marching and horses.



GEOLOGY
The area around Hexham and Chollerford lies on stone from the Yoredale Group, which consists of limestone, sandstone, siltstone and mudstone.
Organised quarrying and extraction of stone in Northumberland on a large scale commenced during the Roman occupation, with the construction of Hadrian’s Wall (begun in AD 122), and its associated forts and associated forts, milecastles and turrets. Romans selected sandstone as the main construction material and together with limestone for making lime mortar, the sandstone was obtained from various quarries along the course of the Wall (there are rare examples of quarries near to Chollerford which can be identified as being of Roman origin).
Following the departure of the Romans, Hadrian’s Wall provided a ready source of building stone, and the distinctive squared blocks produced by the Roman masons are today recognisable in a range of structures, including castles, churches, farm buildings and even drystone walls.[1]
The solid geology of Northumberland is dominated by Carboniferous sediments. These sandstones and limestones have been quarried extensively for building purposes throughout Northumberland, and their use in vernacular architecture contributes much to the variety of the local built heritage and landscape. In his report on Otterburn and Elsdon, Miller (1887, p. 122) noted that the area was ‘... remarkable for the abundance of excellent building-stone existing in the freestones and grits of the Carboniferous Formation. There is scarcely an estate in which quarries might not be opened.’
The Carboniferous sediments have been intruded by a number of distinct igneous rocks and it is suggested that this geological trait of the landscape might cause a sonic buffering effect – which ultimately collects and reflects the sound back to the ground level, releasing detectable sonic phenomena, in the manner of repeated echo-type, induction, and auricular events.

NOTE: Sonic Geology clearly benefits from the subterranean disruption caused by quarrying in terms of the release of new data and the stimulation of hitherto unknown Deep Stratum sonic activity.

PRE-ROMAN HISTORY
There is a Neolithic cup-marked rock which has been built into the Chesters Roman Bridge abutment, but traces of the original setting for this stone has been long lost through it’s reuse by Roman builders. Its presence makes it seem likely there was some settlement in the area. A number of later Bronze Age burials have been found in the parish including one found when the Railway was built at Chollerford and the earliest evidence of a prehistoric settlement in the area dates to the Iron Age with a defended settlement above the village of Wall with six houses inside an enclosure. 

LATER SETTLEMENTS: CHOLLERTON CHURCH and BELLS

The Church of St. Giles in Chollerton, is around two miles from our site, just north of Hadrian’s Wall. It was built in the 12th Century and consists of a chancel, nave, aisles, south porch and a tower, heightened by the addition of a belfry stage, containing two bells, only one of which is currently ringable. The older bell was made by Thomas Mears of the Whitechapel bell foundry of London in 1791.
Four large Roman columns, believed to come from Cilurnum, may be seen supporting the south aisle in the church of St Giles at Chollerton, a couple of miles upstream from the fort. There is also a Roman alter which has been re-used as a font.
Subterranean shifts in the geology that have in turn allowed remarkable sonic phenomena to be detected and recorded, particularly in the area of Chesters Roman Fort. A late 10th or 11th century Anglo-Saxon cross has also been built into the walls of the church.  Fewer than 30 people inhabit Chollerton now, although in Victorian times it had a population of over 5000. Farming and quarrying have dominated this area for centuries.

Subterranean shifts in the geology, possibly caused by the local quarrying, have allowed remarkable sonic phenomena to be detected and recorded, particularly in the area of Chesters Roman Fort.
Hadrian’s Wall may have been a site of conflict, including for retaliatory raids into barbarian areas north of the wall during Roman times, but also later conflicts with the Scots and border families (The Reivers) took place in the surrounding area. Such highly charged sonic events may well have percolated into the surrounding rock.

ARCHEOLOGICAL EXCAVATIONS AND THE CLAYTON MUSEUM
The Sounding Space has active status as a Scheduled Monument. As one might expect; this site has a rich history! As mentioned, occupation and activity in the immediate area can be traced back thousands of years.

The Clayton Museum, at the edge of the site, displays hundreds of archeological objects. John Clayton, the man largely responsible for saving significant portions of Hadrian’s Wall in the 19th Century, bought sections of the Wall to save the monument from stone robbing and quarrying and carried out extensive archaeological excavations.

NOTE: A key research question surrounds the extent to which archaeological objects may emit charged sonic signals that have been stored within them as a result of human possession and transportation.





[1] We have found this desecration of ancient standing stones in numerous places around Great Britain; as an example Avebury where sarsen stones were smashed by the Puritans of the late 17th and early 18th Centuries and used for house building

SOME OF OUR EAR TRUMPETS



Names from left to right (row by row) : Augustus, Lady Lynne, Maureen Anne, Margaret Rose, Tamsin,  Belle, Colin, Digby, Emma-May, Grand Prix De Danse, Jessica, John, Jove, Kingston Russell, Aunty Iris, Margaret Rose, Aubrey, Queen Alexandria, Rufus, Sir Mortimer, The Bishop, Tilly, Robert

SOUNDING SPACE #025 WENTWORTH WOODHOUSE, ROTHERHAM


NISG at WENTWORTH WOODHOUSE



SOUNDING SPACE Wentworth Woodhouse #025
South Yorkshire

Notes compiled by Hildegard Brunel
Edited by Dr. Stella Barrows


INTRODUCTION and OVERVIEW

Wentworth Woodhouse has the distinction of having the longest façade of any country house in England. It stands in 87 acres of gardens and boasts extensive views over parkland including lakes and a deer park. It has around 365 rooms (one for every day of the year).

In the environs of this parkland we have heard conversational, melodic, ambient and proto-historic sonic phenomena, which is not surprising as there has been a house here in some form since Jacobean times. The building of Wentworth Woodhouse as it now stands began in 1725. Builders would have lived on site, in nearby villages or travelled from further afield in order to undertake the work on the property.

The house is comprised of two joined houses which form east and west fronts. The east front façade is said to have been built as the result of a rivalry between the Watson-Wentworths and the Stainborough-Wentworths (who owned nearby Wentworth Castle).

In World War Two, the mansion was taken over for use by Military Intelligence and after 1945 with the Nationalisation of British Coal and the onset of open cast coalmining in the garden made it undesirable for the family to return to.
This is probably why the property is such a highly rich sounding space – the NISG are more familiar with sedimentary sonic expulsions from the Mesozoic, but these coal fields are  from the Paleozoic, (specifically carboniferous).

During the Second World War the house acted as a Training Depot and Headquarters of the Intelligence Corps, although by 1945 conditions for trainee intelligence soldiers had deteriorated to such a state that questions were asked in the House of Commons. Some of the training involved motorcycle dispatch rider skills, as Intelligence Corps personnel often used motorcycles and therefore the grounds of the house and surrounding road network were used as motorcycle training areas.

It is thought that this extensive disruption of subterranean strata has led to the emergence of wider sonic phenomena, so it would be well worth keen amateur sonic geologists keeping their ears peeled for other extraneous eruption events beyond our specific (physical) field of study.


20th CENTURY

The greater part of the house was let in 1947 and by 1950, the house was used as a Women’s Physical Education College for training teachers (the Lady Mabel College of Physical Education). Legend has it that the Marble Saloon (the principal room in the house) was used for badminton practice.



The house sits on the Barnsley seam coalfield, and the postwar Labour government ordered that coal should be mined from opencast mines within 100 metres of the back of the building, making it an unattractive place for the family to live. The house was leased to West Riding county council in 1947 and it was used as a training college for female PE teachers until 1974 when it was taken over by Sheffield City Polytechnic, which later became Sheffield Hallam University.

Following local government re-organisation in 1974, Rotherham Metropolitan Borough Council became the lessee and the property was taken over as a student campus, for Sheffield Polytechnic College (now Sheffield Hallam University). Faced with mounting costs, Rotherham paid to surrender the lease in 1988. The house and the 87 acres it sits within, were sold to W.G. Haydon-Baillie, in 1989. In 1998, the property went back onto the open market and was bought by the Newbold family in 1999, who continued in residence until 2017, when the property was purchased by Wentworth Woodhouse Preservation Trust, on behalf of the nation.

GEOLOGY
The bedrock that forms the foundations of Rotherham includes the Coal Measures of late Carboniferous age and the Magnesian Limestone of Permian age. These two rock sequences produce two contrasting landscapes of the Yorkshire Coalfield and the South Yorkshire Magnesian Limestone Ridge that forms the eastern part of Rotherham Borough.
The Yorkshire Coalfield forms part of the East Pennine Basin, which forms the reference type area for the late Carboniferous of Europe. Most of the sandstones have been quarried for local building stone, including the distinctive Rotherham Red sandstone.

MINING
Wentworth Woodhouse is the former home of the Fitzwilliam coal mining family. The postwar Labour government ordered that coal should be mined from opencast mines within 100 metres of the back of the building, making it an unattractive place for the family to live.
Much of the formal gardens and woodland were destroyed by post-war open cast mining in the parkland and have only recently been revived – although there are several ancient and important trees and bushes on Sounding Space #025 including a Yew and a Mulberry Bush.

The South Yorkshire Coal Fields are a series of mudstonesshalessandstones, and coal seams laid down during the Carboniferous period about 350 million years ago. The total depth of the strata is about 1.2 kilometres (0.75 mi). The house sits on the Barnsley seam coalfield, an important coal field three meters thick, and is an excellent conductive substrate for transmission and emission.

Into the 2000s had fallen into a state of structural disrepair, partly because of the number of mining shafts in the area. Some local people have it that the house is sitting on rock somewhat akin to Swiss Cheese. The NISG purports that this could be why we have so many emissions in this spot – a little like a speaker with many vibrating holes. What is irrefutable is that this landscape acts as something of a multifaceted channel for rich sonic deposits, and that disruption has exposed a sonic transmission layer through which audible geological phenomena can be recorded.
The Head Estate Gardener utilising Ear Trumpet Technology

We are unsure of the reasons for this forceful eruption event, although some of the NISG team have been working on a thesis that the historic stimulation of the coal seams through mining causes sonic venting, and this has been re-stimulated by recent building work. This is the first mining landscape the NISG team have worked on and it is excitingly rich and varied due perhaps to the combination of historic house and rich industrial past.

WENTWORTH VILLAGE
Wentworth village dates back to at least 1066 and the Norman invasion and it is featured in the Domesday book. In about 1250 Robert Wentworth married Emma Woodhouse and the family lived in the area for over 450 years. In the Church there is an effigy of the Earl of Strafford, who was a supporter of the crown just before the Civil war and who was beheaded on Tower Hill. In our early research phase we perceived sounds of proto-historical battle emanating from the ground beneath our feet – but we are unsure as to which conflict this relates to.

NOTE:

The NISG are one of many organisations to declare a ‘Climate Emergency’. Obvious profound environmental concerns notwithstanding, we are also deeply worried at the loss of the integrity of sonic sounding spaces which have not yet been subject to study. We feel immediate halt should be called to exploratory drilling for oil or the process which is known as ‘fracking’. Who knows what incredible sonic integrity will be lost otherwise! (Ed. Dr. Stella Barrows)